Karlheinz Stockhausen (22 August 1928 – 5 December 2007) was a pioneering German composer and a key figure in the development of electronic and avant-garde music during the 20th century. Born in Mödrath, the castle which functioned as an asylum during his upbringing, the tumultuous environment of World War II had a profound impact on his artistic direction. Following studies at the Cologne University of Music and the University of Cologne, he proceeded to work in the nascent field of electronic music at the WDR studio, solidifying his status as an innovator and often controversial figure in the contemporary music scene.
Stockhausen's work is characterized by its deep exploration of sound and structure, often delving into the realms of spatialization, serialism, and electroacoustic elements. His oeuvre spans from early experiments with musique concrète and groundbreaking electronic pieces to complex, integrative avant-garde compositions. Notable works include "Gesang der Jünglinge" (1956), a touchstone of electronic music, and "Gruppen" (1955-57), a revolutionary piece for three orchestras. Throughout his career, Stockhausen remained a prolific composer, as evidenced by works like "Tierkreis," "Stimmung," and the operatic cycle "Licht," which consumed much of his later life, reflecting his fascination with spiritual and cosmic themes. His bold innovations influenced a wide array of artists across various genres and continue to inspire new generations of musicians and listeners.
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