Johannes Ockeghem, a towering figure of the Franco-Flemish School of music, was one of the most influential and respected composers of the 15th century. Born around 1410-1420 in Saint-Ghislain, Hainaut, Ockeghem served as a composer and singer for the French court, having a long and distinguished career that spanned several decades, notably under three French kings: Charles VII, Louis XI, and Charles VIII. His tenure as a treasurer at the collegiate church of St. Martin in Tours highlighted his versatility, as he managed both his ecclesiastical and musical duties with proficiency.

Ockeghem was a master of the complex polyphonic style that characterized the music of the late Medieval and early Renaissance periods. His compositions, which include a rich array of masses, motets, and chansons, showcase a deft handling of intricate counterpoint and harmonics, earning him a reputation as the foremost bass singer of his day. His works, such as the "Missa Prolationum" and the "Requiem," are celebrated for their technical sophistication and emotional depth, reflecting the highest level of musical artistry of the era. Ockeghem's influence extended far beyond his lifetime, impacting subsequent generations of composers including Josquin des Prez, and his legacy remains a touchstone for scholars and performers interested in the origins and development of renaissance polyphony. With a modest number of extant compositions, Ockeghem's oeuvre continues to be revered for its inventive structure, expressive range, and the profound spirituality that lays within its carefully crafted lines.

Genres

Classical

Early Music

Early Music Ensemble

Franco-flemish School

Medieval

Renaissance

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Album - 55 Tracks - Released November 3, 2024