Mieneke van der Velden is a distinguished Dutch gambist, internationally recognized for her prowess on the viola da gamba—a string instrument popular during the Renaissance and Baroque periods. Over the course of her illustrious career, she has become particularly noted for her interpretations of French Baroque music, which is amply reflected in her discography with a strong representation of works by composers such as Marin Marais and François Couperin.
Van der Velden's artistry is evident in her recent recordings, which include the soulful "Telemann: Solo Cantatas for Bass," the intricate dialogues of "Marais: Dialogues," and the evocative "Marais: Images." Her collaboration with other period instruments specialists brings a rich texture to albums such as "d'Anglebert, Marais, Dollé & Forqueray: Hommages," and her facility with the recorder is showcased in "Telemann: Sonatas and Sonatinas for Recorder and Basso Continuo." Mieneke van der Velden's musical journey also ventures into sacred music realms, as heard in "Harmoniae Sacrae" and "De profundis clamavi," and her work with Bach's repertoire, exemplified by "Bach: Da Gamba." Her exploration of the viola da gamba literature is a testament to her deep understanding and love for the instrument, particularly demonstrated in "Marais: Pièces de viole" and "Couperin: Pièces de viole, Concerts Nos. 3 & 11." Through her expressive playing and scholarly approach, van der Velden continues to shine as a beacon in the world of early music, enchanting audiences with the resonant depths of the viola da gamba.
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