DLR, whose moniker stands for James Dickenson, is an artist who has made significant waves in the electronic music scene, particularly within the drum and bass genre. Bursting onto the scene with a passion for intricate beats and a finely tuned ear for rhythm, DLR has become known for his technical prowess and ability to craft compelling melodies that resonate with both longtime enthusiasts and newcomers to the drum and bass world.

DLR's discography is peppered with a variety of heavy-hitting tracks and remixes, showcasing his skill in balancing atmospheric soundscapes with hard-hitting bass lines. With recent releases such as "Money Till I Got None" and "Burn It All," DLR continues to push the envelope of the genre, earning him a steadfast following. His remixes, like "Underprint (DLR Remix)" and "Mob Justice (DLR Remix)," stand as testaments to his ability to reimagine and inject new life into existing works. Albums like "The Variance in Production EP" and "Don't Come Too Close EP" have further solidified his status as a versatile and innovative producer—someone who truly lives up to the ethos of his cheekily named track, "Staying Up Late Making Music." With a focus on the underground yet an appeal that reaches across the spectrum of drum and bass, DLR has etched his name into the fabric of the genre.