Plunderphonics

Plunderphonics is a genre characterized by its bold experimentation with sonic appropriation, often incorporating fragments of existing music, sound effects, and spoken word into new, irreverent compositions. Emerging in the 1980s, plunderphonics drew upon the avant-garde and noise traditions, as well as the cut-up techniques of William S. Burroughs and Brion Gysin. Artists associated with this genre frequently employ sampling, tape loops, and turntable manipulation to create a distinctive, often humorous sound that challenges notions of authorship and originality. Plunderphonics' peak popularity in the 1990s coincided with the rise of electronic and experimental music, influencing later genres like mashup and glitch. Notable for its DIY ethos and anti-commercial stance, plunderphonics has maintained a cult following, appealing to fans of experimental sound art and those intrigued by the genre's subversive, playful approach to musical creation.

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Aeiou
CHANCE デラソウル
Carl Stone
Christtt
Cut Chemist
DJ Food
DOOPEES
Kid Koala
Kutiman
M. Sage
MIMIDEATH
Michele Mercure
Ming & FS
Mouth Sounds
Mr. Dibbs
NVVER
Oneohtrix Point Never
Plus-Tech Squeeze Box
Pogo
Porest
Prefuse 73
RJD2
The Evolution Control Committee
Treva Whateva
Wax Tailor
Windows 96
foodman
MIMIDEATH
Wax Tailor
Pogo
Kid Koala
Oneohtrix Point Never
Windows 96
RJD2
Kutiman
Cut Chemist
Prefuse 73
DOOPEES
DJ Food
CHANCE デラソウル
M. Sage
Plus-Tech Squeeze Box
Mr. Dibbs
foodman
Christtt
Aeiou
Carl Stone
NVVER
Treva Whateva
The Evolution Control Committee
Michele Mercure
Porest
Ming & FS
Mouth Sounds